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"Well, you might as well have both bowls then. I don't like to see good bread an' milk wasted.",

"No ma'am, I won't. Jest wondered where he was, that's all.",

"It sure is heavy," agreed Billy. "I saw another sure sign over there in the ponds that says it's goin' to be a hard winter, one I've never knowed to fail. It was the mushrat houses. The rats are throwin' 'em up mighty big an' thick.",

"Well, do you believe in my charm now?" Billy asked.

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Mr Lawrence walked to "The Swan." The entrance was under a covered way into which the stage coach drove for baiting. Mr Lawrence walked into the bar and observed a letter fixed in a frame of red tape stretched across a board covered with green baize. As he was in the habit of receiving letters at this house he looked at this one and saw that it was addressed to him. He pulled it out of its mesh of tape, and addressing a middle-aged, comely woman who sat in the window in[Pg 122] the bar where she supplied lookers-in with pots of frothing beer, or directed them to such parts of the house as they desired to visit, he asked when that letter had been left, and was answered that the letter carrier had brought it in about two hours before.,

"No, I ain't got time. I got t' fry some more eggs an' ham. Go 'long in to your breakfast, an' see you keep your mouth shut durin' the meal. An' look here," she admonished, "if I ketch you apullin' the cat's tail durin' after-breakfast prayers I'll wollop you till you can't stand.",

"No, it ain't, 'cause he kin kill a black snake a sight easier than he kin a womper, an' I'll tell you why. Black-snakes have got teeth. They bite. But their backbone is easy broke. A womper hasn't any teeth. He strikes with his bony nose. You know what one of them snakes kin do? You saw that big one, down in Patterson's swamp lay open Moll's face with one slash. They're thick necked, an' take a lot of killin'. This crow kin kill a black-snake with one slash of his bill. He has to choke the womper to death.",

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.